Sample packs displayed on the Splice Sounds web siteThe service makes available a huge number of commercial sample packs that you can freely browse via Splice’s web site, once you sign up. According to Splice, there are more than 500,000 samples available, which come from about 1500 sample packs.One of the big differences in buying samples via Splice Sounds is that you can pick and choose individual samples (both loops and one-shots) from the various sample packs, rather than having to buy by the whole pack.Content includes both one-shots and loops.
- Without any doubt, Splice Sounds is really worth for all musicians and music producers. You should use this platform to come up with better, unique, and astounding music creations. The platform also comes with different types of subscription plans that you can choose as per your preference. The best part is — Splice Sounds even offers a 14-day free trial period.
- Kona Splice vs. Kona Splice Deluxe - Worth it? Purchasing my first entry bike and I'm having a difficult time differentiating between the components on both models Kona offers.
The collection is heavily weighted towards electronic dance music styles including House (12 different varieties), Drum & Bass, Dubstep Breakbeat, and Techno, to name a few. There's also a good selection of urban content, including hip-hop, trap and a little bit of R&B.A Live Sounds section offers categories for Afro Latin, Blues, Jazz, Reggae, Rock and more, but it's clear the overall focus of Splice Sounds is not on these styles. And when you search through those 'Live Sounds' sections, many of the sample packs are geared more to electronic styles, with only a slight relation to the genre they show up under. For instance, the Blues category has seven packs, only three of which are devoted specifically to blues samples. One of the other entrants in the Blues category is 'Pablo Decorder Presents: Peak Time Berlin,' which is described as 'a collection of sounds that represent the collective sound of the Berlin underground party scene.' Blues?A great deal of the content comes from Loopmasters, but you can also find sample packs from developers like Black Octopus, Singomakers, Freaky Loops, and Monster Sounds, among many others.
According to a Splice spokesperson, they’ll be adding another major content partner sometime in September, and the number of available sounds on the service will continue to grow. If you’re a sample aficionado, you’ll feel like a kid in a candy store while browsing the Splice Sounds site. On the levelSplice Sounds is available at two price levels: The “Sounds 100” plan is $7.99 for 100 credits per month.
The “Sounds 300” plan” is $13.99 for 300 credits. Each credit gets you one sample download. If you don’t use all your credits in a given month, they roll over — to a point. For the Sounds 100 plan you can accumulate a maximum of 300 rollover credits in your account, and for the Sounds 300 the max is 1000. I question why Splice imposes these 'use it or lose it' type of limits. If you pay for the sounds, you should be able to keep their value, as long as you’re a subscriber.Splice Sounds allows you to upgrade or downgrade your account if you ever need or want to. So if you find that you aren't using enough samples to justify the $13.99 plan, or need more than the $7.99 plan, you can changeover.
However, your rollover cap will adjust accordingly, so if you’re downgrading, you could lose rolled-over samples.All the samples have perpetual licenses, and can be used in any kind of production, royalty free. The only restriction on their use is that they’re not transferrable to another person. What’s nice is that you don’t have to commit to more than a month at a time. You pay month to month, and you can cancel at any time (effective at the end of your monthly billing cycle, presumably).
Splice is legit. It's also really cool because if I'm making a track at 120bpm or something and think 'hey this could use some kind of percussion / top loop', Splice makes it super easy to search and filter based on bpm and genre.
Your subscription auto-renews after each billing cycle, so it's up to you to cancel if you don’t want to continue to be charged.What’s nice about a content subscription such as this is that you can keep the samples after you’re no longer a subscriber. This makes it a better value than a DAW or plug-in subscription, because with those, you lose the use of the software if your subscription lapses, or the company goes out of business. With Splice Sounds, once you download content, it’s yours forever. The Splice Desktop AppAfter you sign up, the next step is to join Splice (which is free) download the free Splice Desktop App (Mac/PC), which acts as a bridge between the Splice website and your computer. The app, which is accessed from the menu bar, is used not only for Splice Sounds, but for other Splice functions such as the backup of projects. For project backup, Splice only supports Apple Logic and GarageBand, Ableton Live, and FL Studio. Those restrictions don't apply to Splice Sounds, however, which is platform agnostic.
Any DAW can handle WAV files, which is what you get when you download a sample from Splice Sounds. In search ofWith half a million samples to choose from in the Splice Sounds collection, a robust search feature is a necessity.
Luckily, Splice offers multiple ways to narrow down the massive amounts of sample packs and individual samples to find what you want.One way to go is to start by choosing a genre from the list on the Splice Sounds home page. You can then scroll through all the sample packs in that genre. Click on a pack to open it, and you get a list of keywords that correspond to the types of samples in a given pack, which shows how many of that type of sample the pack contains. In the pack in the screenshot below to the right, you can see that there are 538 drum samples, 71 FX samples, 43 percussion samples and so forth.
Click on a keyword, and the results list will be narrowed down to only the corresponding samples. You can further refine it by BPM and key.Alternately, you can use the Search field to begin your search, and then refine after that. Considering how much content is available, Splice Sounds makes it pretty easy to find what you’re looking for.I did occasionally get some odd results when searching. In addition to the aforementioned Berlin underground music in the blues section, one of the sample packs that came up when I searched the Afro Latin category was Balkan Brass and Breakbeats. Overall, though, the searching works well. When you open a sample pack in Splice sounds, one way to narrow down the results is to click on one of the instrument/category tagsSamples from a pack (whether refined by search or not) show up in the middle of the page in a list, which displays the sample name and duration, along with a waveform, keywords that it’s categorized under, an indication if it’s a loop or a one-shot, as well as its tempo and key.You can click on the play arrow to audition the sample. Most of the time playback starts immediately, although sometimes there’s a bit of delay while it's loading that doesn't always seem to correspond to the length of the sample.
I'm only talking about waiting a second or two for playback to start. It's not a big deal, but it seems a tad unpredictable.In any case, if you like the sample, you can download it to the Splice Desktop app or click a checkbox to make it ready to download with one click along with other samples you choose from the page. Or, you can click on the the heart icon to save it to your Likes list, which shows up on the left hand side. That way you can mark samples you like for possible download, but don’t have to commit to downloading them right away. You can also save collections of samples in web-based folders called Repacks, which can be downloaded later and even shared. This allows you to setup project-specific sample packs, which is cool.Your computer must be running the Splice Desktop app in order to actually download samples. However, you can search, audition, and save samples to your Likes folder from any device connected to the Web, which means you can use your phone or tablet to search for samples when you’re on the go.
Splice Sounds mobile site is nicely done. I was able to easily to search for samples from my iPhone. A Splice in timeOverall, Splice Sounds is a good value for anyone who regularly purchases and uses samples, and who creates electronic dance music or hip-hop and other urban styles. For those genres, the Splice Sounds collection is large and impressive. If you create music outside of those genres, you won't find a lot to choose from.The site is well designed, the app integration is smooth, and everything works well. Yes, you get the occasional odd search result, and the delay before playback when auditioning a sample can be a bit unpredictable, but overall the functionality is quite satisfactory.I like that you don’t have to commit beyond a month at a time, and that anything you download is yours to use, royalty free, in perpetuity.
Pokemon ROM hacksOn the other hand, Pokemon games that are played using GBA emulators such as My Boy, John GBA, Visual Boy Advance, VBA-M, OpenEmu, and GBA4iOS are called ROM hacks.ROM hacks are made through grabbing of GBA ROMs and modifying its existing content to create a new game, and this referred to as ROM hacking. Pokemon phoenix rising rom download.
I do hope Splice changes the rollover policy to let you save all your unused credits for later use, but I doubt that the rollover limits will be a deal breaker for most people.The Splice Sounds concept offers a different way to shop for samples, giving you more variety, and often better value than buying individual sample packs. However, it will change your workflow, so it won’t appeal to everyone. Since you don’t have to commit for more than one month, you’re not risking too much to try the service out and see if it's right for you.
Audiofanzine's review: ProsCons. Access 500,000 samples from 1500 libraries.
Two price levels. Month-to-month subscription, no need to commit for longer.
Multiple search options. Download samples into free Splice Desktop App. Drag-and-drop samples into your DAW from Desktop App. Audition and mark favorites from any internet-connected device.
Repacks let you create custom collections and share them. Focused on dance and urban music, not much available for other genres. Limit on how many credits you can roll over. Searches occasionally produce non-related results.
With over 2 million loops, one-shots, and sound effects available on Splice Sounds, the big question is: where do you start? With such a wide selection, your creativity has no limits.In a, I introduced you to the amazingness that is. The Sounds section is a treasure trove of the highest quality samples you could ask for. Once you're set up with a subscription, you'll have access to at least 100 download credits each month. Since each loop is worth 1 credit, you're effectively given 100 downloads each month.In this article, I'll take you through a step-by-step process showing you how to use Splice Sounds on your next song.
Search for soundsAs I explained in the previous article, you can either use the splice.com website or the Splice app on your computer to browse their collection of sounds. In both cases, you have access to powerful search and filtering options. You can filter by genre, by tempo, by sound type (loop, one-shot, effect), by key, by style, by tags, by instrument, and much more.In the case of this song, I want to create a funky disco-pop tune. So for starters, I'll go into the Genres section and start browsing through the different sample packs in the Disco category. I love the Lenno Sample Pack. It'll provide a perfect basis for what I want to do.
While previewing all the different sounds, I 'hearted' the ones I liked the most. It's a way of tagging your favorite samples so you can easily get back to them later.Once I made my selections, I downloaded a bunch of sounds. Some one-shots (like a kick, a hi-hat hit, a crash effect) and others that had some melodic material to them. Start assemblingThis is the fun part. Once the samples are downloaded to your computer, you can drag them directly into your DAW. In my case, I was using Logic Pro X.See which loops work well together. Personally, I like mixing and matching sounds from different sample packs, particularly because it allows you to create a unique sound.
For example, grabbing a fill or a sound effect from a completely different genre will make your song sound original.There really aren't many rules around what to do or not do. Your should be your guide here. I like to use markers in my session to help me visualize the different sections. The one rule I do follow is I make sure that things keep changing in every section. This goes back to the article I wrote about with your song.
Time stretching and pitchingYou'll notice that the loops you download from Splice may come at different tempos. If you were to layer them on top of each other, you'd get a cacophony of sounds that are completely out of sync. Clearly—not what we want.
We want all the loops to play in the same tempo.That's where you'll want to time-stretch the various loops to match the tempo of the song you're creating. If you're on a more modern DAW like Ableton or Logic Pro X 10.4 and newer, you'll have built-in tempo syncing tools that can automatically match the tempo of your loop to the tempo of your session without much work on your end. These tools will speed up your work process tremendously, so learn to use them. That way you can import a loop into your session, your program will do the tempo matching automatically for you, and you can focus your energy on actually making music!Another thing you may have to do is to pitch various loops to match the key of your song. Whatever key you chose, you want all the melodic loops to match that. Again, you do not want a cacophony of sounds in different keys. It's like listening to a bunch of people talk at the same time in completely different languages.
You want all your loops to connect into a steady musical language. The thing that will connect them is tempo and key. So make sure to pitch the different loops up or down so they all match the same key.If you want to get much more detailed when it comes to the timing and pitch adjustments of the audio loops you download, comes with the unbelievable module which lets you adjust the time stretch amount of an audio selection without altering its pitch. It also includes the module, which allows you to adjust the pitch of both musical and non-musical audio regions while preserving their time and length.Most loops that you download will be named in such a manner that already tells you the original tempo and key information, so always look at the title for clues. A loop titled '80schopshopgroove114Am.wav' already informs you that the tempo of the loop is 114 beats per minute and the key of the melodic material is A minor.
Use this information to help you in the process.As an example, one of the synth loops I wanted to use in my piece was performed in the key of Bm and at a tempo of 125 bpm. Take a listen.
Cut where necessaryThis is where the creativity really has to kick in. When I say 'cut,' I mean it in two ways:.Cut the time.Cut the soundsLet me explain.If something works awesome! But if it doesn't, try cutting the audio loop and rearranging its elements in time to see if you can make them work. As an example, many loops have some neat chord progressions in them, but being stuck with the same repeating four chord progression can get tiring pretty quick. Not to mention, it may be a little awkward if you were to find another song that uses the same untouched loop. And one day you will. So try slicing the loop up where the chords change and rearranging the different slices to achieve a new and original chord progression.
Do the same with groove elements to create cool unique groove moments, glitches, or fills.When it comes to cutting the sound, this is where you'll have to trust your ears. You'll find that where some loops are just a groove, others may involve a groove, a synth, a bass, some guitars and maybe even vocals, all layered into one loop. As lovely as those may be to use, having all those elements may actually turn out to be pretty limiting when it comes to trying to layer more parts into your song.
In the case of the synth loop above, it already comes layered with a great bass part. However, I knew that I wanted to create my own unique bass sequence.
Having both play at the same time would make them clash, and make the song too bass heavy. One method around that would be to find a different synth sample.
But I really liked this one and still wanted to use it in my song. So the alternate way was to use EQ to filter out the bass frequencies. I used a low cut filter to remove the low frequencies from the synth loop. This gave me all the necessary space to use the synth AND create my own bass part. Here's a comparison before and after. Add some cool effectsA lot of modern music is dependent on great sound processing.
Dropping a loop in without altering it in any way is no longer as exciting as it used to be. If you want your song to sound truly unique, try adding some plug-ins to affect the way the loops sound. How about running a groove through a distortion plug-in and an amp simulator? How about using an EQ filter sweep of a synth?
Is Splice Worth It Full
Or shaping the transients of a loop in a new way?As you learned in my article on, Splice also features an entire section. With 1678 plug-ins, you'll have plenty to choose from, including, dozens of incredible compressors, EQ units, filters, and a plethora of saturation, dynamics, imaging, pitch, transient-shaper, and other incredible plug-ins. You can even find 80 free plug-ins to get you started!For the purpose of my song, I decided that as much as my intro was neat, it was still missing something.
Give it a listen. It sounded cool and the layers were simple yet solid enough that they effectively worked well together. But the intro still didn't really evolve in any interesting manner.
Is Splice Worth It Real
After a little experimentation, I decided that a cool EQ filter sweep on the synth could really give the intro a feeling of unraveling. So I went to the Plugins section of Splice and started browsing through the different plug-ins. I decided to download the free DJMFilter and applied it to my synth. It helped tremendously.
I applied a similar filter sweep effect to the groove. Just a couple small things and check out how much of a difference they make in building the anticipation to the main section of my song. Again, there are no rules as to what you should or shouldn't do. You're the boss and creator, so surprise your listeners with something fun. Bring it all togetherMixing and mastering your track are super important tasks. It's the art of balancing everything to make it sound professional. Although many individual loops may come already processed with EQ and compression, you still need to glue it all together.One of my favorite things about the Plugins section of Splice is the rent-to-own program for various pro-level plug-ins.
In fact, iZotope's Ozone 8 and Neutron 2, VocalSynth 2, RX 7 Standard, and Nectar 3 are all available in the rent-to-own program. Meaning you can pay a small amount to rent the plug-ins when you need them, and whatever you pay during your rental period is applied to your final ownership. In other words, pay-as-you-go until you own it. So there's really nothing stopping you from taking all these excellent plug-ins for a spin and seeing how they can inspire your music-making process.In my case, I added an instance of Ozone 8 and Tonal Balance Control to my master output track to help me create the perfect mix and master of the song, complete with a vintage EQ, dynamic compressor, limiting, and a little saturation. Here's the final result.